Lots of soundtracks from movies aimed at kids and teens have an overriding theme to the music collected on them, and Sky High - which kind of looks like a brightly colored, made-for-TV version of the X Men films - is no different. Like the soundtrack's gambit of having acts from the 2000s cover '70s rock and pop, features teen pop and alt-rock acts remaking '80s hits. And, like the soundtrack, this album stumbles more than it succeeds. A good chunk of the collection consists of uninspired but passable covers like ' blandly pleasant version of 's 'True' and 's cover of 's 'Save It for Later,' which steamrolls right over the song's lyrical and musical subtleties. Along with versions of 'I Melt With You' and 'Everybody Wants to Rule the World,' there are covers of slightly more obscure tracks, but they're not handled any better. Steven Strait's version of 's 'One Thing Leads to Another' trades the angular precision of the original for a dull, muddled sound, and 's remake of 'Lies' might be louder than the original, but it's not any better. Most of is so blah that the halfway-decent songs sound amazing by comparison: 's version of 'Please, Please, Please Let Me Get What I Want' is basically karaoke, but the song is still so gorgeous and affecting that it can't help but be a standout.
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Likewise, 's version of 's 'Voices Carry' is virtually a Xerox of the 1985 hit, but it's an inspired choice on another level: went from 's pop to the alternative singer/songwriter fare of her solo career, while (aka ) traded the alt-rock of for life as a Radio Disney-style pop singer. Caleigh Peters' versions of the classic 'Just What I Needed' is the album's most daring track: having a girl sing lyrics like 'it's not the perfume that you wear/it's not the ribbons in your hair' in the song sounds downright scandalous next to the rest of 's same old, same old. One of the other standouts is ' version of 's misfit anthem 'Through Being Cool,' which feels like the history of geek rock distilled into three minutes. Maybe the kids at which is aimed probably won't know (or care) that ' 'And She Was' has barely a fraction of the joyful weirdness of ' original, but it still needs to be said. For a movie that's supposed to be about kids with freaky superpowers, 's music is painfully conventional.
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