To be elegible for this price, Add to CartQuite a few chart-topping rappers came and went during the five years between Gang Starr's fifth and sixth LPs. So many, in fact, that it's tempting to think that commercial rap had taken a turn for the worse simply because the duo hadn't been back to tend the fires since 1998. Angry and intelligent as they'd ever been, Guru and DJ Premier came right back with guns blazing, ridiculing radio DJs and program directors as 'f.cking robots' and proving their case with an album full of tough, kinetic hip-hop that blows away anything on the rap charts.
Guru, never the most talented rapper on the East Coast, tightened his flow considerably to match his cutting verse, and DJ Premier only continued waxing lyrical with turntables and samplers. (Compared to his outside productions during the interim, it's clear he was holding back for Gang Starr a few can't-miss productions: 'Put Up or Shut Up,' 'Skillz,' the title track.) Guru's wordplay and imagery are vivid, whether he's relating yet another inner-city tale ('Sabotage'), excoriating the record industry ('Deadly Habitz'), or casually making a play for a girl ('Nice Girl, Wrong Place'). Surprisingly, most of the guest features are pedestrian, including the lame guns-and-gangstas posturing of 'Who Got Gunz' featuring Fat Joe and M.O.P. Or 'Capture (Militia Pt. 3)' featuring Big Shug and Freddie Foxxx. Also a letdown is Snoop Dogg's 'In This Life.,' the return of a favor Premier did for him on two tracks for his Paid tha Cost to Be da Bo$$ LP of a year back. (The only great collaboration is Jadakiss' full-flowing rap on 'Rite Where U Stand.'
) All the Gang Starr trademarks are in place, from Premier's perfect upchoruses to Guru's reedy voice cutting or instructing, and sounding better than ever. Martin, Composer - J. Cartagena, Composer - J. Grinnage, Composer - E. Murry, Composer - Eddie Sancho, Mixer, Recording Engineer, Mix Engineer, StudioPersonnel - Guru, Producer - Gang Starr, MainArtist - Keith Elam, Composer - M.O.P., FeaturedArtist - DJ Premier, Producer, Mixer, StudioPersonnel - Tony Dawsey, Mastering Engineer, StudioPersonnel - Dexter Thibou, Recorder, Recording Engineer, AssociatedPerformer, StudioPersonnel(C) 2003 Virgin Records America, Inc.
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℗ 2003 Virgin Records America, Inc. Your browser does not support the audio element. Album DescriptionQuite a few chart-topping rappers came and went during the five years between Gang Starr's fifth and sixth LPs. So many, in fact, that it's tempting to think that commercial rap had taken a turn for the worse simply because the duo hadn't been back to tend the fires since 1998. Angry and intelligent as they'd ever been, Guru and DJ Premier came right back with guns blazing, ridiculing radio DJs and program directors as 'f.cking robots' and proving their case with an album full of tough, kinetic hip-hop that blows away anything on the rap charts. Guru, never the most talented rapper on the East Coast, tightened his flow considerably to match his cutting verse, and DJ Premier only continued waxing lyrical with turntables and samplers. (Compared to his outside productions during the interim, it's clear he was holding back for Gang Starr a few can't-miss productions: 'Put Up or Shut Up,' 'Skillz,' the title track.) Guru's wordplay and imagery are vivid, whether he's relating yet another inner-city tale ('Sabotage'), excoriating the record industry ('Deadly Habitz'), or casually making a play for a girl ('Nice Girl, Wrong Place').
Surprisingly, most of the guest features are pedestrian, including the lame guns-and-gangstas posturing of 'Who Got Gunz' featuring Fat Joe and M.O.P. Or 'Capture (Militia Pt.
3)' featuring Big Shug and Freddie Foxxx. Also a letdown is Snoop Dogg's 'In This Life.,' the return of a favor Premier did for him on two tracks for his Paid tha Cost to Be da Bo$$ LP of a year back. (The only great collaboration is Jadakiss' full-flowing rap on 'Rite Where U Stand.' ) All the Gang Starr trademarks are in place, from Premier's perfect upchoruses to Guru's reedy voice cutting or instructing, and sounding better than ever. John BushAbout the album. 1 disc(s) - 19 track(s). Total length: 00:56:43.
Main artist:. Composer:. Label:. Genre. © 2003 Virgin Records America, Inc. ℗ 2003 Virgin Records America, Inc.Why buy on Qobuz. Stream or download your musicBuy an album or an individual track.
Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRMThe downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for youDownload your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.) depending on your needs. Listen to your purchases on our appsDownload the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Hip-Hop: 8 Legendary ProducersCan we imagine Guru without DJ Premier and De La Soul without Prince Paul?
Behind every iconic rapper and cult group, there is a visionary producer who learned from his predecessors and developed his own sound. From the pioneer Marley Marl, who laid the foundations for modern production by showing what could be done with the first samples, to the shooting star J Dilla who, before his death at the age of 32, managed to leave a lasting mark on the genre, not to forget Bomb Squad’s sonic revolution and Dr Dre’s undisputed dominance on the West Coast. Here’s an overview of the studio masters that have ruled the hip-hop world for thirty years. How Kanye West Turned Hip-hop on its HeadOver the last twenty years, Kanye West has consistently changed the course of rap music and influenced his era’s pop scene like no other.
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Collaborating with Paul McCartney, Rick Rubin, and Rihanna, he has both revitalized the careers of Jay-Z and Common and provided a platform for Kid Cudi and John Legend. Kanye West remains a major influence on artists such as Childish Gambino, Drake and The Weeknd. Cast yourself back to the career of an endlessly enigmatic artist.
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